“Then Túrin bowed before them, and took his leave. And soon after he put on the Dragon-helm, and took arms, and went away to the north-marches, and was joined to the elven-warriors who there waged unceasing war upon the Orcs and all servants and creatures of Morgoth.” ~Tolkien
–
I remember being 17 years old, riding my bike back from the bookstore where I had pre-ordered The Children of Húrin. As soon as I got hope I opened it and began to read. I wept as I read because I was reading new, beautiful words written by Tolkien, when I thought I had already read them all. Since then I have been captivated by the story of the family of men who defined the Dark Lord and suffered for it. And I have long desired to posses the Dragon-helm itself. Thanks to our Patreon supporters, we were able to recreate the cover art of the book by Alan Lee. Many more photos to come as we tell the story of the House of Hador and it’s war with Morgoth through pictures!
–
Want to make more projects like this possible? Want to see all the behind the scenes material? Then consider supporting us on Patreon!
–
Many thanks to our friend Nicholas Bruno for capturing this moment.
The low tide revealed something strange. Something the fishermen had never seen before. Something that should not be there, something that was not from this world. Something dangerous but beautiful.
Lord of the Rings is so complicated because we don’t just have canon vs not canon we have
was-in-the-trilogy book canon
contradicting from a different book canon
movie-verse canon
Tolkien mentioned it in a letter once canon
Christopher Tolkien speculated canon
fanon
wikipedia accepts it as canon even though it’s not 100% sure canon
like how are you even supposed to keep track of all that
Don’t forget
Tolkien changed his mind but you’re not sure which version you like better canon
Early ‘mythology for England’ canon
Tolkien implied it in a letter once canon
Fan movie canon
Tolkien never actually made up his mind so choose a headcanon
Also worth noting:
Christopher Tolkien changed his mind canon
Omissions even from the HoMe that are only found in obscure linguistic journals or tertiary literature canon
Changing language concepts canon
Minor works canon
wouldn’t want to exclude
only mentioned in the Parma Eldalamberon
half-indecipherable scribble on the back of a scrap of paper in a pile of Tolkien’s notes that suggests a major lore change but Christopher just couldn’t figure out that last word
Well it’s not not canon
the difference in interpretation of a significant interaction due to the changing of a single word between drafts B and C
Tolkien might have mentioned it to C.S. Lewis once?? But he’s not talking
All ruled by:
Unreliable Narrator
I’ll just drop in ‘the Old English etymology of the word suggests…’ and for older readers, the quite unchallengeable ‘Well, I met Tolkien in a pub once, and he said…’
The great joy of writing Tolkien fanfic though, is that pretty much all of it can be found somewhere in Google. Try writing fanfic about, say, sixth century Wales, I found that made Middle-earth look a breeze. 😀
hobbits adding to Aragorn’s extensive name roster w nicknames like ‘Ol’ Stridey’ and ‘Greasy Stu’
greasy stu is sam’s fault isn’t it
one pint too many and suddenly it’s a one way-trip to Horrid Nicknames National Park
upon reflection they also call him Greasy Dan, Greasy Ted and Greasy Bill, basically just Greasy *insert short name here*
once Pippin accidentally referred to ‘Greasy Steve’ in front of Faramir and then had to awkwardly explain that he meant, y’know, the king
There are many things that Paladin would never believe about his son’s amazing journey through Middle Earth
Except that one. He absolutely believes Pippin to 100% when he says “I accidentally called the king Greasy Steve in front of the steward”, because it’s just… it’s just something Pippin would do.
Paladin is simultaneously v. exasperated, v. concerned about how the fuck he raised his son, and privately v. amused.
Faramir: who is this… greasy steve
Pippin: *panicking* you don’t know him
Frodo: it’s the king he’s talking about the king 🙂
Faramir: WHAT
Paladin: you called this king what now
Pippin: *activating his best “please do not be mad i am your precious baby boy” voice* i called him greasy steve
Paladin: this is how i know you’re my son
Pippin: what?
Sam: I can’t believe you did that Mr Pippin
Sam: it’s Greasy STU not Greasy Steve
Sam: honestly
Pippin and Sam arguing about if it’s Stu or Steve
Frodo sitting nearby with his head in his hands, done with the entire thing within 0,2 seconds of understanding wtf they’re arguing about
Merry loudly chanting “FIGHT FIGHT FIGHT FIGHT”
*argument starts dying down*
Merry: I think it’s Greasy Bill 🙂
*cue Sam and Pippin losing their gotdamn minds*
Faramir: Are you just going to let them do this?
Aragorn: I like Greasy Stu, actually.
Sam: SEE I TOLD YOU
Merry: BILL NO
Pippin: BETRAYAL
Aragorn: *walks into room*
Frodo: aight Greasy Stu
Aragorn: awww… you guys… and I thought you’d stop calling me that now I’m king and all… that’s so sweet of you :3
Faramir: i need to have a lie down
Pippin: Do you want a nickname too?
Faramir: oh god no
Pippin: but everyone has one
Faramir: I don’t want one please no
Pippin: Sam is Flowerchild. Or just Potato.
Faramir: what
Pippin: We have a friend/relative at home who is literally named Fatty. His real name has been lost to the mists of time.
Frodo: his name is Fredegar
Pippin: this is entirely new information
Frodo: *pointing at Pippin* his name is Peregrin
Merry & Pippin:
In the early drafts after Tolkien settled on Peregrin he was called Perry
Merry and Perry
Also the Breelanders called Aragorn Longshanks which means long-legs so Greasy Daddy Longlegs anyone?
And I’m sure we’re all aware Aragorn legally changed his last name to Telcontar which is Quenya for Strider after he became King
Pippin: hey Daddy Longlegs~ 🙂
Merry: I am disowning you
Frodo: I’m kinkshaming.
Also, Aragorn: Hey Perry 🙂
Pippin: Do NOT
But is no one gonna kinkshame penny-anna for making King Aragorn say :3 and then making me read it with my own two eyeballs
kakashi and iruka are both father figures but only iruka is like good at it. when a kid is upset iruka says “i understand your feelings.” kakashi says “big mood.”
Paper: Real-world paper is a Chinese invention, so if you are aiming for a pseudo-European feel, it might not seem quite right. But silk is Chinese too, so if your Elves are clad in silk, there’s no reason they should not write on paper. (and Middle-earth isn’t really Fantasy Europe) Paper is an old technology so it should not automatically ‘feel wrong’ and we still use it, so probably you have an instinctive feel for how it works: that you can tear it, scrumple it, burn it, make it into scrolls and books.
It’s easy to write elves as having paper, but maybe you feel it seems a bit too familiar…?
Parchment This stuff is basically a kind of pale rawhide. Has a strong medieval vibe, though it’s much older than that. It lasts a long time and is really tough, so might be a good choice for someone wanting to keep very long-lasting records. It’s beautiful and it’s expensive, and it’s very very strong. The best-quality kind, made from young animals, is called vellum. Personally, I like to think of elves as the kind of people who don’t routinely slaughter lambs and calves for their skins, so I tend to think if they used parchment at all, it probably came from older animals, and they were quite careful with it. You can re-use parchment by scrubbing the ink off and writing on it again: that’s how tough it is. So you can correct mistakes made on parchment, though it’s work. Given the way it’s made, probably anyone writing on parchment is going to draft out the document on some less permanent medium before they write it on something so tough and valuable. Probably for books or law records rather than letters.
It’s NOT paper. It’s not going to scrumple up or tear like paper does, and if you burn it, it’s going to take a while to burn, and it will probably stink.
Wax THE popular temporary writing surface of the ancient world tends to get forgotten now, but if your writer is drafting out a difficult letter or making notes to be written out later in fair on good paper or parchment, this might be what he’d use. You get a flat wax surface which can easily be erased and you write on it with a simple stylus. You don’t need ink, you are essentially scratching letters into the wax. You can squish the wax around if you make a mistake to erase it. Your tablet probably has a gorgeous ornate cover which folds, so you don’t accidentally lose your notes.
Downsides: given that ‘tablet’ and ‘stylus’ now have very modern equivalents, you probably need to emphasise that it’s a wax tablet and a lead stylus when you write about it in fic, not that your elves have suddenly all got Ipads.
Bark Another old technology – at least 2000 years old, and I think this one feels nicely elven. Birchbark can be harvested without doing a lot of harm to the tree, and it’s relatively easy to harvest a lot of it, just with a sharp blade: it needs less complex manufacture than either parchment or paper. Birches like relatively exposed, relatively northern climates, so this is a good fit for Beleriand.
You can write on it with anything you’d use to write on paper, such as ink, or you can scratch stuff directly into the bark, like six-year-old Onfim of Novgorod did back in 1260AD.
It’s probably going to be a little stiff to scrumple, and probably a bit harder to tear than paper, but elves can probably rip up thinner sheets and they can certainly fling it on the fire in a dramatic manner and it will burn very nicely.
Wood It’s a lot of work to mince up wood fibres into a mush and then roll it out into paper. Why not instead simply carve wood into thin slices and write on that? This was a technology much used in the Roman Empire; the surviving writings from Hadrian’s wall are written on wood tablets in ink. Holly is a nice dense fast-growing and very pale wood, which might be particularly suited to use by the Noldor in Beleriand. Instead of sending someone an entire plank of wood, send them a set of thin tablets sewn together with thread. Perhaps you’ll have a unique signature knot, or seal your letter-knot with beeswax and a signet ring, so that you know nobody else has read it.
Scrumpling is probably out, but this stuff is likely to be cheap and it will burn well, so feel free to fling it on the fire!
Bone Bone is nice and pale, but it’s more of a pain to carve into strips than wood is, and I think has a slightly menacing feel. Still, it seems like the perfect surface for necromancers to write spells on, and like wood, you can bore holes in it with an awl and stitch the strips of bone together to make a longer document that can be folded or rolled up.
Papyrus This stuff has a very long history in Egypt of course, and makes a very durable kind of thick paper, as long as it’s kept dry. The papyrus reed is a hot-weather plant and papyrus scrolls, like paper, aren’t so tough in damp environments, so this one might be good for southern Avari elves to use, or perhaps southern Numenorean bases, or other Men of the South.
Slate This dark stone splits into smooth flat pieces easily and can be written on with chalk. It does crack very easily though, and perhaps has a less ‘ancient world’ feel to it as a writing substance than most of the previous options. Possibly suitable for notes, and for learning the alphabet, but it’s easier to preserve notes on a wax tablet than in chalk on a slate. Scratching messages on stone in general has a very long history, and is canon for Lord of the Rings!
Probably not so good for letters that need to move from place to place, and definitely not so good for scrumpling or burning, though you could fling a slate dramatically out of a window and smash it, I suppose.
Charcoal As a writing material, I always feel that the sheer ephemeral nature of charcoal can’t be overstated. It’s widely available, true: pick it out of any fireplace or bonfire – but as a writing/drawing material, it comes off almost as easily as it goes on. Good for quickly drawing secret maps that you want to be able to wipe out again.
Chalk Like charcoal, crumbly and ephemeral. So very ephemeral. Depending on the geology, your elves might be able to pick it up on any stony surface, or there might be none of it about for leagues and leagues.
Ink Sooooo many kinds of ink. You might imagine elves writing with dip-pens, but the fountain pen is an earlier technology than you might think: in the real world, it was invented in Egypt over a thousand years ago.
We mostly tend to think of ink as a liquid now, but solid ink-sticks are still used, made from a mix of different kinds of soot (pine wood soot or charcoal) with a glue to hold them together: you grind them on an inkstone then add water. Perhaps the Falmari might use pinewood soot ink-sticks bound with fish-glue, and mixed with pearl-dust? And the Doriathrim might use egg-glue inksticks made with charcoal.
The mining Noldor might use ferrous salts with oak-galls to make their ink: it perhaps is fitting that iron-gall inks, though very clear and effective at first, over a long period of time corrode the writing surface.